Josef Mandl - The Ghost (Apparition at a Grave) (1898)
Visualizzazione post con etichetta blues. Mostra tutti i post
Visualizzazione post con etichetta blues. Mostra tutti i post

sabato 19 febbraio 2011

Il blues di Bill Steber

Bill Steber is a graduate of Middle Tennessee State University with degrees in English and Photography. He has worked at the Tennessean newspaper in Nashville as a staff photographer since 1989, where he has won over thirty regional and national photojournalism awards. His documentary work has been exhibited widely throughout the South. In 1997, Steber was awarded an Alicia Patterson Foundation grant to continue a project documenting Blues Culture in Mississippi that he started in 1993. The grant was for one year and during that time Steber was on sabbatical from the Tennessean. The project combines portraits of blues musicians playing at home and in clubs with images that describe what remains of the rural African-American culture that gave rise to the blues. Examples include, juke joints, cotton farming, sacred music, rural church services, river baptisms, folk religion and superstition, life on Parchman penitentiary, hill country African fife and drum music, and diverse regional blues styles. In addition, Steber is combining these images with field interviews that put the photographs in an historical perspective.


David Johnson Elba, AL, 1996


 Hellhound Ebenezer, MS 1997


 Jukin' at Thompson Grocery Bobo, MS 1994


Little Bill Wallace Leland, MS 1995 


Lonnie Pitchford. Quito, MS, 1996 


Smitty's Red Top Lounge. Clarksdale, MS 1998 


 Bentonia Blues. Bentonia, MS 1993


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Howlin' Wolf - How many more years (Licks his Harp)LA STORIA, IL DOLORE, IL BLUES


 Howlin' Wolf - How many more years (Licks his Harp)

"I neri del sud hanno canzoni per tutti gli argomenti - canzoni sui treni, i battelli a vapore, i martelli da lavoro, le donne di strada, i balordi di ogni specie, i muli recalcitranti - tutto diviene pretesto per una canzone; e inoltre si accompagnano con qualsiasi oggetto da cui si possa ricavare un suono o un supporto ritrmico - cose del tipo lo washboard (*), recipienti di latta, ecc. In questo modo e con questo mezzi hanno creato le basi di quello che oggi chiamiamo blues."

da Negroes in American History vol.1, Black Americans, 1928-68 di H.C.Handy 

(*) Strumento a percussione usato nelle prime forme della musica jazz/blues, costituito da una tavola di legno su cui veniva passato un oggetto, generalmente metallico.