Cup3Tint3

Spesso le opere d’arte e la morte sono strettamente intrecciate le une all’altra. La realtà crudele espressa in immagini può essere sgradevole; eppure se l’energia che traspare dovesse essere riconosciuta cupa e ingiusta potrebbe non essere solo a causa di ciò che rappresenta. Dobbiamo piuttosto vederla come il tentativo di affrontare ciò che di oscuro c’è nelle nostre vite e nel mondo in cui viviamo, come un processo per mutare in comprensione le nostre incomprensioni. (Guardate il blog sul PC)

sabato 19 febbraio 2011

Il blues di Bill Steber

Bill Steber is a graduate of Middle Tennessee State University with degrees in English and Photography. He has worked at the Tennessean newspaper in Nashville as a staff photographer since 1989, where he has won over thirty regional and national photojournalism awards. His documentary work has been exhibited widely throughout the South. In 1997, Steber was awarded an Alicia Patterson Foundation grant to continue a project documenting Blues Culture in Mississippi that he started in 1993. The grant was for one year and during that time Steber was on sabbatical from the Tennessean. The project combines portraits of blues musicians playing at home and in clubs with images that describe what remains of the rural African-American culture that gave rise to the blues. Examples include, juke joints, cotton farming, sacred music, rural church services, river baptisms, folk religion and superstition, life on Parchman penitentiary, hill country African fife and drum music, and diverse regional blues styles. In addition, Steber is combining these images with field interviews that put the photographs in an historical perspective.